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...yeowza.
Damn good work, Mr. Schroeck, damn good work.
Thank you.
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Case in point: I'd realized what Jennifer would be my first time through #13--the "-sp" designation and various comments made it sickeningly clear--
--but the revelatory scene still brought me perilously close to vomiting right here on the college library floor, and wouldn't that have been awkward?
(That was a compliment. No, really.)
No, I know exactly what you mean. That's
precisely the response I wanted from the reader. A mean little trick, I have to admit -- leading the reader into imagining and feeling exactly the same things Nene is. But if I hadn't done it that way, the entire scene -- and Nene's moment of satori -- would have fallen
so flat... For those couple of paragraphs, I had to make the reader
be Nene, at precisely the most horrifying moment of her life.
It will probably come as no surprise that this scene (both parts of it) was what took most of the last two weeks (counting the time my computer was dead) to whip into shape. It went back and forth between me and the prereaders several times, and how they stood it, I don't know; I only could bear to read it so many times because I was maintaining a purely mechanical point of view on it.
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I see you also put some stock in the Armstrong + Mason = Largo theory. Makes a lot of sense to me (and whatever canon may be, I'm dead certain that it's what the ADPF authors intended us to think).
It does make the most sense to me, too.
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OTOH, Armstrong G728 was a completely non-humanoid model, and you have Doug saying there doesn't seem to be such a thing. Or is that just another infonugget he missed?
The clever answer is yes, Doug missed that.
The cleverer answer is that Armstrong's particular model has been phased out by 2036, and is no longer listed in the materials he consulted.
The
true answer is that the source materials I had when I wrote that passage something like four years ago didn't include any non-humanoid boomers, except for dogbots and a couple other trivial things. I just wrote what I knew of at the time.
Take your pick.
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Minor and possibly imaginary nitpick: while I also can't remember where the Tasmanian Devil's quote comes from, I'm convinced it's "Why for you...".
The sound file I have is very clearly "What for...". You may be right that there are multiple versions, but I don't know of any other sound clips.
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Hmm... does the neurophage thing mean that the "telepathic" interchanges between Sylia and Largo are just plain radio transmissions? Amusing thought.
I hadn't considered that, but it does make the most sense, doesn't it?
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And on the "Who the Heck is Quincy" front...
...absolutely nothing.
Of course.
That's in the last chapter.
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Well done.
Thank you!
-- Bob
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"Flan on!" -- The battlecry of the Human Dessert