Tabarnak, guys.
I'm not really going to be a tourist in Amsterdam, this time anyway. My company has a new office there, and I have a good friend in Rotterdam, which is very close. (In the sense that people from Australia and the North American West use "close".)
The peak tourism season is a thing. My trip takes me rather close to Italy, but it will just be too busy to be enjoyable. But since I've been writing, I have an inner Akari Mizunashi that really really wants to go to Venezia. And it's so hard telling her no. Logically though, her Neo-Venezia is not overloaded with tourists, so it doesn't help me write the mood.
I guess I must be some kind of "method" writer. When I stumbled into the Venice room at the Getty Museum, my heart started racing. And I'm pretty sure that it's not my core personality having that reaction.
I'm not really going to be a tourist in Amsterdam, this time anyway. My company has a new office there, and I have a good friend in Rotterdam, which is very close. (In the sense that people from Australia and the North American West use "close".)
The peak tourism season is a thing. My trip takes me rather close to Italy, but it will just be too busy to be enjoyable. But since I've been writing, I have an inner Akari Mizunashi that really really wants to go to Venezia. And it's so hard telling her no. Logically though, her Neo-Venezia is not overloaded with tourists, so it doesn't help me write the mood.
I guess I must be some kind of "method" writer. When I stumbled into the Venice room at the Getty Museum, my heart started racing. And I'm pretty sure that it's not my core personality having that reaction.
"Kitto daijoubu da yo." - Sakura Kinomoto