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  [STORY/XOVER] Legend of Galactic Girls
Posted by: robkelk - 08-01-2007, 01:55 AM - Forum: Fenspace - Replies (31)

LEGEND OF GALACTIC GIRLS




By Rob Kelk




Based on the Drunkard's Walk and Girls Girls Girls
fanfic cycles


created by Robert M. Schroeck


and the Fenspace shared-world setting


created by Sean M. Breen






Prologue: Sangnoir of the Universe

16 June 2008

11:19 GMT

Unnamed private station, Habitat Module 1


"The pressure test on Tank 3 looks good, Mr. Scott."

"Yoriko, how many times have I told you to call me 'Noah'?"

The woman looked at her feet. "But you're my boss ... and my creator. And we're working."

"So? There's only the five of us up here; there's no need to stand on formality. Besides, I'd much rather be your friend than your owner,
okay? And that goes for the rest of you, too."

"Is that an order, sir?" asked the youngest-looking person in the habitat module.

Noah sighed. "No, Sora, that's a request." He turned to one of the others. "Kohran, please bring the pressure in Habitat Tank 3 no, it's
Module 3, now bring the pressure down to one standard atmosphere. We'll use some of the building
supplies we left in the tank to install some wiring and plumbing, and build some internal walls in it. I know I'm looking forward to having a private
apartment again."

"Yes, sir," replied the girl as she reached toward a control bank. Then she stopped. "Mr. Scott ..."

"What did I just say, Kohran?"

"Mr. Scott, there's something wrong. The pressure in Module 3 is already down to one
atmosphere. And the microphones we put in it for the hull stress test are picking up ... a working turbine engine."

"That's impossible."

Everyone else looked at Noah. "Just like artificial gravity and artificial intelligence are impossible, sir?" asked the other android in the habitat.

"Good point, Yayoi. Yoriko, please come with me; let's go see what the miracle goop's done this time. The rest of you, stay here and listen in
over the microphones, please."

* * * * *

11:24 GMT

Airlock between Habitat Modules 2 and 3


"What is that?"

"It's a motorcycle, Yoriko. A pretty advanced one, by the looks of it." Noah shook his head in amazement. "But who brought it here, and how
could it still be running after this long?"

"Sir?"

"The engine. It should have used up most of the oxygen in there by now ... Oh, shit. There's somebody on the bike."

Yoriko pushed Noah back into Module 2, then closed the airlock door in front of him and opened the door to Module 3.

Well, thought Noah as he rubbed the brand-new sore spot on his chest and watched Yoriko rush at
inhuman speed to the first aid kit, then to the motorcycle, at least she's
got the basic sense of humanity I hoped I'd programmed into all of the girls.


* * * * *

Location Unknown. Date Unknown. Time Unknown.

I woke up to discover myself not home. Again.

I was on a makeshift cot, inside what looked like an antiseptic-yet-makeshift warehouse. My helmet was sitting on the floor beside me within easy reach, beside
a small oxygen cylinder with a breather mask attached. Two people a tall middle-aged caucasian man with "swivel-chair spread" and a petite young
asian woman with long hair, both wearing polo shirts, jeans, deck shoes, and what looked like perscription glasses were examining my motorcycle (without
touching it, so they seemed to be polite) while talking quietly with each other. I cleared my throat to let them know I was awake.

The man stepped forward. "Hello, stranger," he said (in English, with the stereotypical educated middle-class American accent). "I'm glad
you're awake; you almost died of carbon monoxide poisoning. I hope you don't mind that Yoriko shut down your bike."

"No, that's all right. Good thing you found me in time," I smiled.

"Indeed. I'm called Noah Scott, and I'm your host. If you don't mind me asking, who are you and how did you get aboard this piece of
what's becoming my space station?"

Space station? That explained why the exhaust from my bike's engine almost killed me; the life-support systems were probably overtaxed by the fumes. I
stood and bowed to Yoriko, then offered to shake Mr. Scott's hand. "Douglas Sangnoir, at your service. But please call me Doug." The two of them
exchanged a Meaningful Glance. "Don't tell me you've heard of me?"

"We've heard of you," replied Yoriko. She had a hint of the standard Japanese-newscaster accent, but it was almost lost in, I kid you not, an
American Southern accent thick enough to cut with a knife. (Not a Deep South accent, though it seemed to be from the Carolinas.)

"I asked you not to tell me that." They both smiled at that, then exchanged another Meaningful Glance.

"Actually," added Mr. Scott as he shook my hand, "we've heard of someone with your name and taste in humor. We assume he's you."

"Really? Have I been here before?" Then I realized what he was talking about. "Or is this connected to that 'transfictionality' effect
that Legion told me about?"

They both sighed with relief. "That's exactly what we're talking about, Colonel, and we're glad you've already heard of it. That'll
make it easier for us to talk near you."

"Oh?" Then I realized what Yoriko had called me. "And how did you know my rank?"

"I don't know whether you or Legion has considered the implications of transfictionality, but when one of our universe's authors combined the
concept with quantum mechanics' lack of a privileged frame of reference, he realized that everyone
is fictional in some other reality somewhere." She stopped talking when Mr. Scott put a hand on her shoulder.

"I'd let Yoriko continue, but we don't have all week." She blushed as he went on. "Sometimes I think about that and wonder whether
anyone reads stories about me. But that's not important right now. What is important is that
your arrival here proves that theory valid, because we've read stories about you."

Oh, wonderful not again. "Are you telling me I have no
secrets here, Mr. Scott?"

"Please, call me Noah I keep telling everyone there's no need to stand on formality here. The stories you're in aren't
that well-known, and we don't know most of your personal details ... but a few of us are well
aware of who Looney Toons of the International Strike Teams is."

Oh, boy ... but wait a minute. "Of the what? My team back home is called the Warriors."

Noah looked relieved, and I can guess why. "Ah, right; my mistake."

* * * * *

13:07 GMT

Habitat Module 1


"Here's the spare laptop, Mr. Scott. What do you want transferred to it?"

"Sora, my name is Noah. Copy the Drunkard's Walk
files in the server's fanfiction directory, up to where the Loon learns about transfictionality, to a temporary directory on the
server, strip out anything he didn't learn firsthand, then compress those edited files and copy them to the laptop. And whatever you do,
don't copy any of the sequel series. Once you've done that, copy over all of the music in my
personal playlist except for the soundtracks to stories from the places he's visited, then go on to the World Factbook
and the most recent out-of-copyright version of the Britannica ..."

* * * * *

Unnamed private station Habitat Module 1. Tuesday, June 17, 2008. 7:43 AM Local Time.

"I hope you don't mind the low-quality breakfast, Doug. I'm expecting Hermes Universal Deliveries to show up with the week's groceries later
this morning; right now, this is all I've got."

"I've had to survive on worse, Noah," I replied, just before taking another bite of the granola bar he'd given me. "Besides, considering
how I'm feeling after what you told me yesterday, I doubt I'd enjoy anything fancier."

"Sorry about that. I thought you'd rather we throw you into the deep end, instead of easing you into the surprises you're going to get here."

"You proved you know who and what I am when we met. Giving me censored copies of stories about what I've been doing recently surprised me even
more."

"Oh, you caught that?"

"Yeah. But what could be more surprising than you knowing who I am?"

"Meet my crew." Noah grinned and raised his voice. "Come in, ladies!"

The door opened and four young asian women stepped into the compartment. One was Yoriko, who I recognized from the day before. Another was unfamiliar to me,
while I had a strange feeling I'd met the third somewhere but I couldn't quite place her.

The last was a dead ringer for a woman I'd left on the other side of the portal I'd used yesterday.
"Kohran?"

* * * * *

"Well, I didn't expect him to faint." Noah stood up. "Help me get him onto the couch, please."

* * * * *

7:47 AM.

I opened my eyes to see Yoriko standing beside me, holding a small gadget. I suspected it was an audio playback device of some sort from the way the strains of
The Beatles' Good Morning Good Morning came from it.

When she saw that I was awake, she turned away and said, "I was right, Mr. Scott. It does work
on him, too."

"It shouldn't have," I said as I sat up. "My talent doesn't work when I'm unconscious. I assume I passed out from the shock?"

She nodded. "That and some lingering aftereffects from the carbon monoxide poisoning. I think."

I checked the clock on the wall. "I have a good constitution and it has been a few minutes. I think maybe I came to on my own. Would you mind turning that
off, please? My talent's going nuts trying to find somebody to wake up."

"Oh, sorry, Mr. Sangnoir." Yoriko shut off the playback.

"Thank you. And my name's Doug. Now, would somebody please explain to me how Kohran got here?"

The person in question cleared her throat. "Well ... actually, I'm not the Kohran Li that you met. I just look, sound, act, and think like her. I
think."

Drawing on my fine command of the English language, I said, "Huh?"

Noah passed me a mug of orange juice. "There's six people on this station right now, but only the two of us are humans. The four lovely ladies are
androids."

"Ah, I see."

"You don't seem surprised at the fact that we're AIs," said one of the girls I didn't recognize.

"Should I be?"

"From what Mr. Scott tells us, we may be the only androids in existance."

The other girl I didn't recognize added, "But there are rumours about some others ..."

"Built by that 'Professor' person? He doesn't really exist, Yayoi ... Does he, sir?"

Noah looked her and answered, "How should I know? But there was quite a bit about him in the papers earlier this year, Sora, so I'm guessing he's
real. But androids don't seem like his style."

"Then we're alone in the universe, aren't we?" whispered Sora.

I smiled and walked over to her. "Don't worry. It's only a matter of time before someone else builds another AI. They just have to use the same
designs that whoever built you used." Nobody answered me. "What did I get wrong?"

After a moment, Noah cleared his throat. "Even if A.C. the person who helped me with the hardware side of the ladies even if he and I released the plans,
they might not be reproducable. There's a certain something that we don't yet understand that's part of their makeup ..."

They went on for an hour, answering most of my questions as best they could.

In this universe, men first walked on the Moon in 1969. After a half-dozen Lunar missions, nobody went farther than Earth orbit for three and a half decades,
and each trip into space was a major engineering effort. But last year, something they called "handwavium" appeared, which seems to handwave away
some of the laws of physics. Mr. Scott got the idea to build his station because, fourteen months ago, someone had used handwavium to sail a pocket cabin
cruiser into space. Noah was able to move into space four months ago, and his companions had been self-aware for almost four weeks, solely because of the
handwavium. (I got them to promise to give me a sample.)

But this stuff didn't work the same way for different people. Two identical twins who applied the same amount of handwavium on the same make and model of
panel truck in the same way got two wildly different results; one of the trucks was quite happily purring along (literally) on Earth, getting 100 miles to the
gallon and never becoming dirty; the other was flying twice-weekly delivery runs between Seattle and Utopia Planitia on Mars, but couldn't be budged unless
Star Trek soundtrack music was playing on its built-in CD player.

Yes, I'm sure of this. Noah showed me some of the experiment footage.

Cutting to the chase, nobody could build the same kind of AIs that Noah had, because they weren't him. And he couldn't get male androids, or females
who didn't wear glasses, to wake up. When I asked whether he was sure about that, he glanced quickly at the girls and shook his head quickly. "Moving
on, we have to figure out how to get you on your way."

I took the hint. "Are you tired of my company so soon?"

"Hardly," he smiled. "It's nice to be able to speak with someone who's willing to treat me as an equal ..." If he was waiting for a
response from the others, he didn't get it. "... but I can't expect you to settle down here for the rest of your life. As I understand it, you
have to find some song that'll open a gateway to your next stop. We have to figure out how to
get your bike's engine to run without fouling the air in the station or overheating, so you can go through that gateway safely."

"Good point." And that seemed like as good an opening as any to ask about accounts. "How much will I owe you for your help? And the food and
lodging, for that matter?"

"I've got more money that I can conveniently use right now, Doug. But I won't turn down your help with the construction work ..."

* * * * *

Tuesday, June 24, 2008. 12:01 PM.

We had gotten into a routine over the last week we'd wake up between 6:00 and 7:00 AM, do the usual morning routines, have breakfast, argue for a couple of
hours about how to contain my bike's exhaust without tethering the bike to the station and fail to come up with any practical ideas, do some work on the
station's interior, have lunch and catch up with the day's news at noon, do more work on the station, have supper, discuss and dismiss for an hour or
so possible songs to send me on my way, relax for a few hours, and turn in for the night.

But today was slightly different.

Yoriko was reading news services on the Tapestry (which they called the Internet here) while eating lunch, so she was the one who noticed the message from
Japan. "Mr. Scott!"

"Yoriko, my name is Noah ..." he said wearily.

"This looks important, sir. It's from Xebec's lawyers."

He moved from sitting across from me to looking over her shoulder so fast, I wondered for a moment whether he'd teleported there. "Oh, please be what
I hope it is ... Yes! We got their permission! Yayoi, go get the champagne!"

"Permission?" I asked.

"I think you're familiar with the concept of compensating the original creators for their work, Doug," he answered as he put on a leather jacket.
"This message confirms that I just got the last bit of legal permission I needed. I've had the okay from the original creator for a while now, but
this is from the animation studio that turned the story into the television series where I got the idea from in the first place."

Yayoi came back with two bottles of Bollinger one Vieille Vignes Franaises (which proved my host really did have more money that he could conveniently use
right now) and one Special Cuve. She handed the latter to Noah. "Does this mean I can start using a family name now, sir?"

"It certainly does, Ms. Fujisawa," he replied with a grin. "Now, everybody please get
back I don't want you getting hit by flying glass." We all ducked behind the couch. "I've had a speech prepared for this day for weeks, but
in all the excitement I can't remember how it goes, so I'll just cut to the chase." He lifted the bottle and brought his arm back.

"I christen this station ... Stellvia!" And he smashed the Special Cuve bottle against the
bulkhead.

* * * * *

27 June 2008

22:17 GMT

Stellvia Habitat Module 2

"What did you want to show me, Kohran?"

"Well, Mr. Scott ..." She noticed his expression before he could say anything. "Noah, this was an experiment of mine that I had going when Mr.
Sangnoir ... Doug showed up."

"Do I want to know what you were trying to do?"

"Probably not. But take a look at this, this, and this." She pointed to a few lines of data on the computer screen beside the workbench. "They
don't match anything I expected to see, and I can't replicate the effects."

"And this means ... what?"

"First I thought that something about Doug caused the anomalies, but if that was the case, he should have made the experiment fail that way again. It
hasn't."

"Again, this means what?"

"Sorry. I think it means this is interference from the worldgate he used to get here. If
that's the case, I can use this to make a gateway detector."

"I see. What do you need to do to be sure?"

Kohran thought for a moment. "I need to set up the experiment again, and have it running when Doug leaves."

"Okay. Do it. Doug's trustworthy, and the stories indicate that the 'Legion' person he met is on the side of the angels, but who knows what
other kind of people might be bouncing around the universes?"

* * * * *

Stellvia Habitat Module 3. Sunday, June 29, 2008. 5:36 PM.

We'd finally come up with a way to capture my bike's exhaust fumes that wouldn't interfere with the bike going through the portal. In essence, it
was a pressure tank hooked up to the tailpipe with a slow-flow regulator so it didn't suck all the gases in the engine out at once, plus some water-cooling
gear around the turbine, all mounted on a small antigravity sled.

The handwavium was good at creating artificial gravity, but didn't do too well for antigravity unless it was hooked up to a spaceship of some sort.

And I'd seen all sorts pass by over the week that I'd been here. For example, someone with more bravery than sense had welded a few semi trailers
together, took at least a dozen more in tow, painted the name Fateful Lightning on the side, put a
semi tractor on the front, and launched the entire deathtrap into space three days before the Stellvia christening ceremony.
That was a sight to see as it went past us ... but you'd never get me to ride in it. When I
pointed it out to the others, Noah said it was probably somebody who wanted a lot of living space but couldn't afford anything better. It seems that
there's a lot of people like that out here.

Anyway.

Getting back to the antigrav sled ... We had to do it the hard way. Luckily, Sora and Kohran were quick students it only took a few days for me to share enough
of what I'd learned back home and from Skuld before they knew enough of the theory to build a knock-off of the Anson GravMaster.

In the meantime, they shared some of their own music with me. A few of the songs tickled my magegift, but I didn't want to test them aboard Stellvia
explosive decompression would have ruined everybody's day. They made sure I had copies of all the songs they played for me.

While Sora and Kohran were building the trailer and the others were unloading a shipment of supplies, I found myself at loose ends for a few moments. (Yoriko
wouldn't let me help with the unloading because I was a guest.) The least I could do for my hosts in exchange for the songs they'd given me was to
clear up one of their mysteries. I grabbed my helmet in one hand, used the other to pick up a handy lump of gelled handwavium, and concentrated on it.
"System, load song 'Who Made Who'. Play song."

When I regained consciousness, I was flat on my back on that makeshift cot. "Are you all right?" asked Yoriko.

"I think so..." I sat up, then layed down again. "Except for a horrid ringing sensation in my head when I move."

The door opened and closed again, and I heard Noah's voice. "How's Doug doing?"

"I'm awake, but my head hurts. What happened?"

"Damned if I know. I've never seen handwavium do that before. I hope I never see it happen
again." He was shaking his head when he stepped into my field of view. "The goop... imploded, I think. At least, we can't find any of the lump
you were holding when you collapsed. But I have to ask: What were you doing with it?"

"I thought I was doing you a favor. I have a song in my collection that tells me who or what created what I'm concentrating on."

"And you tried using it on the handwavium, didn't you?" He whistled. "That's
the sixty-four-thousand-dollar question in this universe ... What did you find out?"

I frowned. "Nothing."

* * * * *

28 June 2008

22:04 GMT

Stellvia Habitat Module 2


"If he keeps using his song ability, he's likely to cause a serious accident, sir. He won't mean to do it, but there's a chance he could
depressurize the entire station."

Noah nodded in agreement. "He isn't even in danger, Sora. He's got a song that lets him survive space and re-entry, and fly all the way to
Earth's surface before it ends. And the four of you can survive hard vacuum, although you'd need to get your skin replaced if you tried. I'm the
one who's in danger."

"But ... that's not fair."

"I know. Life isn't fair, Sora. I'll start wearing my skinsuit under my clothes,
okay?"

"Well ..." Sora picked up a box. "I've been trying to make a spacesuit out of normal clothing and miracle goop, and I think maybe I've
succeeded. He won't know you're wearing a pressure suit if you wear these clothes."

Noah smiled. "Before Doug showed up, you didn't care what other people thought of your actions. Now you do."

"Is that bad?"

"On the contrary, you're developing your own personality. And so are the others, come to think of it. That's just what I had hoped for. Oh, yes as
long as we're alone ..."

"Sir?" Sora looked a bit apprehensive.

"I don't want Doug to hear this, but I have to say it." She sighed in relief as Noah went on. "That hardtech gravity control he's been
teaching you and Kohran is absolutely top secret, understand? If that was to get out, it would
change society even more than the miracle goop did."

"I understand, sir. But what if someone figures out we're keeping a secret?"

Noah thought for a moment. "Then you hold out as long as possible, then tell them about the kaboomite project. I'd rather
that secret get out than this one. But
I'd prefer that you keep them both secret if at all possible. I'll tell the others about this later." He started to leave the workshop, then
turned back. "Sora, I would never force you to do anything you don't want to do.
Anything. That's a promise."

* * * * *

Stellvia Habitat Module 1. Friday, July 4, 2008. 7:43 PM Local Time.

We've already got our Independence Day fireworks ... in a way.

The six of us were too busy to take the day off for the holiday. Actually, we were too close to actually finishing the work in the Space Shuttle fuel tank that
had become Habitat Module 3, and we all wanted to finish it off this week and relax over the weekend.

Noah had played patriotic music on the stereo while we worked, though. (Instrumentals only, bless him.) He was kind enough to shut that off when I picked up my
helmet to make this journal entry, but that just caught everyone else's attention.

"Um ... Why do you record those diary messages, Doug?" Sora was more talkative than she had been when I arrived, but that wasn't saying much.

"It's standard operating procedure, Sora. I make a daily report on my solo activities so the Warriors know what I've done. Hexe sometimes says
it's so they know what they have to clean up after me, but it's really for training the newcomers to the Warriors. My wife's the only person who
reads all of my reports." I thought of Maggie for a moment, and smiled. "When I'm away, I write home every day."

"And the next line," added Noah, returning my smile.

"Yes, and the next line."

The ladies exchanged puzzled looks. Noah noticed and said, "I'll play the song for you later. Right now, let's let Doug write home today."

"Thanks." I brought my helmet up to open the keypad control, which meant I was looking out the viewport at just the right time. "What the hell
...?"

Everyone turned to see what had caught my attention.

"What is that?"

"It looks like a big asteroid, but it's leaving Earth's atmosphere."

"Somebody get a camera, quickly!"

"I've already switched on my visual recorders, sir," replied Sora as she stared out the viewport.

"I hope you don't mind delaying your letter home, Doug. I have to check out the news about
this." Noah turned to the computer console. "Yayoi, where do I want to listen?"

"Judging from the speed and trajectory of that rock, I believe it came from northern Africa."

"Thanks. BBC it is, then."

He keyed in a few commands and the computer's speaker came to life. "...eports of a large land mass launching from Nigeria are being confirmed by both
the European Space Agency and the Transrationality Scientific Assessment Bureau. We have just learned that Number 10 has issued a statement, which I will read
now: 'We are dismayed that anyone would want to take the soil of mother Earth away from the future generations that could have lived happily on that land.
This is obviously the action of a group of terrorists who have found another application for the mysterious substance that has caused so many problems in
America over the last year. Anyone who attempts to obtain samples of that substance in order to duplicate this heinous act on British soil will be prosecued to
the fullest extent of the law.'"

Noah shut off the speaker. "More like 'persecuted' ... I wonder whether they need someplace to lie low for a while?"

"I doubt it, sir," replied Sora. "I'm picking up some structures on the ... flying island of rock. There's lights in their windows, so I
think they're airtight and powered."

"That's a ship? Damn! Damn it damn it
DAMN IT!
If I'd
thought of that, I could have saved a fortune by building this station on the ground!"

Yoriko interrupted Noah before he could get into a full rant. "Noah, the other news services are giving other countries' official reactions now. The
British reaction was mild compared to the Americans and the Russians. I'm glad you're building Stellvia the way you are I
want to be able to go to Earth someday."

Noah took a deep breath, then released it slowly. "Yeah, you've got a point, Yoriko. Sora ... no, you're busy. Kohran, is the radio array capable
of handling multiple signals yet?"

"Yes, sir."

"Then let's give them a call and welcome them to the neighbourhood." He turned to me and grinned. "And you've really got something to
write home about now, Doug ..."

* * * * *

Stellvia Habitat Module 3. Saturday, July 12, 2008. 11:24 AM Local Time.

After all that, finding the right song to open the portal was almost anticlimatic. I announced that I'd found it after we finished pressure-testing the
final shuttle tank, which Noah planned to turn into a dock for his spacecraft (which I'd never seen).

Dinner was quiet that night the ladies excused themselves early and took off for Kohran's workshop (which I'd also never seen). "Aren't you
worried about that, Noah?"

"They're finally exercising their own initiative, Doug, which means they're becoming human. They've already proven many times, before and
after you arrived, that they want me to stay alive, so I doubt they're going to sabotage anything. If they want to tell me what they
are doing, that's up to them."

But that was then, and this is now. Sora spent a few minutes making sure the exhaust capture tank and turbine heatsink worked properly before she let me or
Noah into the module, then she gave me my bike's key.

"It's been fun, folks. Although nobody back home would believe some of what I saw if Sora hadn't given me a copy of the video she recorded."
I tapped the bike's left pannier. "Are you sure I can keep that portable computer?"

"It's my gift to you, Doug," Noah replied. "You've helped the ladies start to grow from 'robots' to 'people' a spare
computer is the least I can give you in return."

"Well, if you put it that way, how can I refuse? But now it's time to leave. System ..."

"Mr. Sangnoir! Please don't leave yet!"

I turned to Sora, who was still standing beside my bike. "Is something wrong?"

"No ..." She blushed and looked at the floor if I didn't know she was an android, I'd swear she was human. "I have a present for
you."

"We all agreed that you'd probably appreciate it," added Yoriko, "but Sora's the one who built it."

"How can I refuse, then?"

Sora pushed a small package into my hand, then ran back to the others. I opened the box to discover a keychain with a small gadget attached as a fob.

"The front slides open, sir." I used my thumb to follow Sora's instruction, and discovered a small speaker and an on/off button. "The
battery's good for years, and the song's burned into ROM."

"Which song?" I asked as I slid the cover closed again. No point in taking chances, not when I was about to open the portal.

Yayoi smiled. "I'm Alive. We thought you couldn't have too many copies of
that song."

I thought for a moment. "I think you're right. Thank you." I put my bike's key onto the keychain. "You're good people, all of
you."

"So are you, Doug," answered Noah. "So are you. Feel free to come back anytime, assuming you can find your way here again."

"I just might, but not any time soon. Good-bye, everyone." I put my helmet on, and told it "System, load song
Space Truckin'. Play song."

"Well we had a lot of luck on Venus

We always had a ball on Mars

We meet with all the groovy people

We like the milky way so far

We'll mess around in borealis

We're space truckin' round the staaaaarrs...

Come on! Come on! Come on! Let's go space truckin'!

Come on! Come on! Come on! Space truckin'!"

I could just barely hear Yoriko over the song and the engine. "Good luck getting home!"

I waved and put the bike in gear, and then I was on my way.

* * * * *

12 July 2008

11:31 GMT

Stellvia Habitat Module 3


Once the portal closed behind Doug, Noah turned to Kohran. "Did you get the readings you wanted?"

After a moment, she smiled. "Yes, Mr. Scott ... Noah. And I think I can build a permanent sensor to pick up other worldgates. That may take me a while,
though."

"That's fine. If we're lucky, we'll never need it."

* * * * *

To be continued in Chapter One, Fenspace Explorers ...



Acknowlegements

The Drunkard's Walk and Girls Girls Girls
fanfic cycles were created by Robert M. Schroeck, and are used with permission.

The Fenspace shared-world setting was created by Sean 'Mr. Fnord' Breen.
"Fenspace" is a jointly-held trademark of the Fenspace writers.

"Douglas Q. Sangnoir," "Looney Toons", "The Loon" and any representations thereof are copyright by and trademarks of Robert M.
Schroeck, and are used with permission.

"Helene 'Wetter Hexe' Diedmeier" and any representations thereof are copyright by and trademarks of Helen Imre.

"Maggie 'Shadowwalker' Viel" and any representations thereof are copyright by and a trademark of Peggy Schroeck.

"The Warriors", "Warriors' World", "Warriors International" and "Warriors Alpha" are all jointly-held trademarks of
The Warriors Group, and are used with permission of Robert M. Schroeck.

"Legion" and any representations thereof are copyright by and a trademark of Edward Becerra.

"Noah Scott" and any representations thereof are copyright by and trademarks of Rob Kelk.

"R. Yoriko Nikaido", "R. Sora Hasegawa", and "R. Kohran Li" are the creations of Rob Kelk, based loosely upon the work of Kozuke
Fujishima.

"R. Yayoi Fujisawa" and "Stellvia" are the creations of Rob Kelk, based loosely upon the work of Ryou Azuki.

"Hermes Universal Deliveries" is the creation of 'Griever'.

"A.C." is the creation of 'Cobalt Greywalker'.

Fateful Lightning is the creation of Kevin 'Feinan' Eaches.

The Floating Island is the creation of Aaron 'Acyl' Choo Yilun.

Use of any trademark in this work is not intended as a challenge to said trademark.

Lyrics from All My Loving, by The Beatles, written by Lennon/McCartney, copyright 1963 Northern
Songs.

Lyrics from Space Truckin', by Deep Purple, written by Ritchie Blackmore, Ian Gillan, Roger
Glover, Jon Lord and Ian Paice, copyright 1972 Mauve Music, Inc. (ASCAP).

The author acknowledges the invaluable assistance of Robert M. Schroeck in his sharing of background information, without which this story would have been
impossible.



Discussion in a separate thread, please - say, maybe the thread that started this whole thing off?



-Rob Kelk




"Read Or Die: not so much a title as a way of life." - Justin Palmer, 6 June 2007
--
Rob Kelk
"Governments have no right to question the loyalty of those who oppose
them. Adversaries remain citizens of the same state, common subjects of
the same sovereign, servants of the same law."

- Michael Ignatieff, addressing Stanford University in 2012

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  Two more confidence songs
Posted by: robkelk - 08-01-2007, 01:25 AM - Forum: The Game Everyone Loves To Play - Replies (13)

First, a modern classic:
The higher you build your barriers
The taller I become
The farther you take my rights away
The faster I will run
You can deny me
You can decide to turn your face away
No matter, cos there's....
Something inside so strong
I know that I can make it
Tho' you're doing me wrong, so wrong
You thought that my pride was gone
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong
The more you refuse to hear my voice
The louder I will sing
You hide behind walls of Jericho
Your lies will come tumbling
Deny my place in time
You squander wealth that's mine
My light will shine so brightly
It will blind you
Cos there's......
Something inside so strong
I know that I can make it
Tho' you're doing me wrong, so wrong
You thought that my pride was gone
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong
Brothers and sisters
When they insist we're just not good enough
When we know better
Just look 'em in the eyes and say
I'm gonna do it anyway
I'm gonna do it anyway
Something inside so strong
And I know that I can make it
Tho' you're doing me wrong, so wrong
You thought that my pride was gone
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong
Brothers and sisters
When they insist we're just good not enough
When we know better
Just look 'em in the eyes and say
I'm gonna do it anyway
I'm gonna do it anyway
I'm gonna do it anyway
I'm gonna do it anyway
Because there's something inside so strong
And I know that I can make it
Tho' you're doing me, so wrong
Oh no, something inside so strong
Oh oh oh oh oh something inside so strong

Something Inside So Strong, by Labi Siffre
Area effect "instill enough confidence to stand up for what's right". (This was orignially an anti-apartheid anthem.)


Next, something completely different, and right up Doug's alley:
You left me like a broken doll
In pieces as I took the fall
for you, you dumb chump!
You left me free-falling like space junk
Burning up in the atmosphere of life
Well I sound like a philosopher
but I'm a fool who's off her rocker
'Cause I let you in my heart that one last time
I've had enough, made up my mind
I'm gonna get up and out and wahhh!
I love myself today
Not like yesterday
I'm cool, I'm calm
I'm gonna be okay! Uh huh
I love myself today
Not like yesterday
Take another look at me now
'Cause it's your last look
Your last look forever
Well look at you you're all puffed up
In that big red truck - but you're outta luck (this time)
Well, that's tough
'Cause I'm on fire - too hot to touch
with a chatroom full of lovers on the line
Gonna step right up. Spit shine my soul
I'm gonna be proud and loud and outta control!
I love myself today
Not like yesterday
I'm cool, I'm calm
I'm gonna be okay! Uh huh
I love myself today
Not like yesterday
Take another look at me now
'Cause it's your last look
Your last look forever
I'm lookin' in the mirror and I like what I see:
I've lost the fear & the horror that's been eating at me
'Cause being with you is like a hangman's noose
I was living my life in dead man's shoes
I've had enough. Made up my mind
I'm gonna get up and out and wahhh!
I love myself today
Not like yesterday
I'm cool, I'm calm
I'm gonna be okay! Uh huh
I love myself today
Not like yesterday
Take another look at me now
I love myself today
Not like yesterday
You're dead and gone
I'm gonna get my way
I love myself today
Not like yesterday
Take another look at me now
'Cause it's your last look
Your last look forever!!
I love myself today
I love myself today
I love myself today
I love myself today
I love myself today
I love myself today
I love myself today

I Love Myself Today, by Bif Naked, from the album Purge (collected on Essentially Naked)
Area effect "instill confidence and remove self-loathing". May have a few side-effects if the people who are gaining confidence are in abusive relationships... like, say, the relationship between NERV and the Children.
Edit: During the choruses, she growls a bit on the line "I'm calm", hinting that she's anything but...
(BTW, Bif Naked's song Tango Shoes likely also qualifies as a confidence song, but I don't want to overload the list with one performer. For those who haven't heard her music, her style is sort of a cross between Pat Benetar's and Carole Pope's...)

-Rob Kelk
"Read Or Die: not so much a title as a way of life." - Justin Palmer, 6 June 2007
--
Rob Kelk
"Governments have no right to question the loyalty of those who oppose
them. Adversaries remain citizens of the same state, common subjects of
the same sovereign, servants of the same law."

- Michael Ignatieff, addressing Stanford University in 2012

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  Yet another gate song...
Posted by: robkelk - 08-01-2007, 12:45 AM - Forum: The Game Everyone Loves To Play - No Replies

I won't bother with the lyrics, just the one-line description that's going to go into the Arsenal sticky:
Space Truckin', Deep Purple, written by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice, copyright 1972 Mauve Music, Inc. (ASCAP), from the album Machine Head. Opens gateway from Fenspace (Fenspace shared-world) to ??? (???).

-Rob Kelk
"Read Or Die: not so much a title as a way of life." - Justin Palmer, 6 June 2007
--
Rob Kelk
"Governments have no right to question the loyalty of those who oppose
them. Adversaries remain citizens of the same state, common subjects of
the same sovereign, servants of the same law."

- Michael Ignatieff, addressing Stanford University in 2012

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  Song with no known recording but....
Posted by: Foxboy - 07-31-2007, 02:33 PM - Forum: The Game Everyone Loves To Play - Replies (3)

www.amiright.com/parody/misc/gilbertand ... n114.shtml
A smush up of the Who's "Tommy" and "When I Was A Lad" from HMS Pinafore
''We don't just borrow words; on occasion, English has pursued other languages down alleyways to beat
them unconscious and rifle their pockets for new vocabulary.''

-- James Nicoll

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  Code Geass 24 and 25 (SPOILERS)
Posted by: HoagieOfDoom - 07-31-2007, 06:40 AM - Forum: General Chatter - Replies (3)

Subbed by Your-Mom in LQ. Decent speed-subs, even if some liberties were taken in translation. ("wondrous sex with an eleven"?)
Needless to say, there are SPOILERS here.

So it looks like we'll have to wait until season 2 for the answers to nearly every single question we had. Details have been added concerning both CC and Marianne's death. Now why would Marianne order Cornelia to take away the guards? I wonder if there isn't some connection with CC there now that we know that she's been talking to Marianne this whole time.
We get a little insight into CC's past. Just how old is she? At least close on to 100 since we got confirmation that it was indeed she in the WWI photo.
And the confrontation at the end of 25... talk about a cliffhanger. I honestly don't see either of them dying. I'm not entirely sure Lelouch could really kill Suzaku (despite his past actions) and Suzaku simply can't; killing Lelouch would violate the Geass that was placed on him. It's entirely possible that Karen pulled the trigger and killed either Suzaku or Lelouch. I'm laying my money on either Lelouch or Suzaku maiming the other with a non-lethal shot in the leg or arm.
Thoughts?*********
Touched By His Noodly Appendage
www.venganza.org

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  Where I've been, July 2007
Posted by: jpub - 07-31-2007, 06:05 AM - Forum: The Legendary - Replies (3)

Okay, y'all have noticed I haven't been on a lot.
The reason is very simple: It's too damn hot here.
Unfortunately, the way my house is set up makes my computer area quite warm in the first place, especially when I'm playing video card intensive games like CoH.
I live on the 3rd floor of a 3-floor walkup, so I get a lot of heat. Add onto that hot days with 7-10C Humidex, that massively overwhelm my AC (it's essentially a window unit, and it's working as hard as it can and can't keep up) and you essentially get a situation where I don't even want to be at the computer, let alone play games on it.
Until this lets up, don't expect me on the game much. I might play a bit at work, but that's it.--
Christopher Angel, aka JPublic
The Works of Christopher Angel
"Camaraderie, adventure, and steel on steel. The stuff of legend! Right, Boo?"

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  Crossover bunnies that SHOULD be
Posted by: Valles - 07-31-2007, 03:57 AM - Forum: Other People's Fanfiction - Replies (16)

So, a while back I took a look at the first few chapters of the Fullmetal Alchemist manga, and was rather unimpressed. Ed seemed noisy and irritating and the whole thing rather shallow.
A recent fanfic binge, however, has disabused me of that notion, so I'll definitely be looking into this farther. ^_^
The crossover bunny comes into the question in my getting the distinct impression that this could fit into the Nanohaverse without even a ripple.
Thoughts?
Ja, -n

===============================================
"I'm terribly sorry, but I have to kill you quite horribly now."

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  Any classical music fans in the house?
Posted by: robkelk - 07-31-2007, 03:25 AM - Forum: General Chatter - No Replies

I know there are anime fans here...
There's a question that's been nagging a few of us, on and off, over on the Usenet group rec.arts.anime.music (a rather specialized group, to be sure, and low-volume - the average month's on-topic posts can be counted on one hand).
The most recent posting of it was back on 13 November 2006, by the group's FAQ maintainer, ru igarashi:

Quote:
A long time ago, and a few times at that, there was a question about the music that plays in Love Hina, episode 12, as Motoko stands on the roof, about to face the uber-tama. I thought we had identified it, but I can't find any reference to it in Google (other than our inability to identify it). Does someone know who the composer is and the ID of the work? It isn't Night on Bald Mountain from what I recall.
My reply, two hours later, was:
Quote:
As I recall, there are either three or four classical pieces in that episode. Night on Bald Mountain is the one that plays just before the one you're asking about... and I don't know what it's called, either.
(Not the answer you wanted, but at least it confirms your recollection...)
I just realized that quite a few folks here know quite a bit about music. I have no idea how deep our collective knowledge of classical music is, but I though it's worth a try...
Can anybody name the classical pieces used in episode 12 of Love Hina? Besides Night on Bald Mountain, that is.

-Rob Kelk
"Read Or Die: not so much a title as a way of life." - Justin Palmer, 6 June 2007
--
Rob Kelk
"Governments have no right to question the loyalty of those who oppose
them. Adversaries remain citizens of the same state, common subjects of
the same sovereign, servants of the same law."

- Michael Ignatieff, addressing Stanford University in 2012

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  Darwyn Cooke's New Frontier - Animated!
Posted by: Elsa Bibat - 07-31-2007, 02:54 AM - Forum: General Chatter - No Replies

My company worked on the DVD for Superman: Doomsday and it was pretty good, but what really wowed me was the featurette included in the DVD.
And as the title of the post says, Darwyn Cooke's opus is being animated direct to video.
And with Stan Berkowitz is writing and Bruce Timm
producing.
With what I saw it's gonna be great. And the voices: Kyle Mclachlan as the voice of Superman, Lucy Lawless as Wonder Woman, David Boreanaz as Hal Jordan
The animation is distinctively DCAU but it also has noticeable Darwyn Cooke influences.

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  It's a miracle!
Posted by: Norgarth - 07-31-2007, 01:35 AM - Forum: Fiction - Replies (2)

I actually got off my ass and wrote something. [Image: tongue.gif]
This part is set just before SOS-con.
*********************
"Oh, come on. You're supposed to be bringing us in to land, not reading."
I looked up from my current novel and turned to look back at the cockpit door at George. "We're in a holding pattern at the moment, waiting for Phobos control to get back to us and I have the proximity sensors on. Plus, the nav system will warn me if we start to drift from where we're supposed to be."
"Warn you how? I've seen how engrossed you can get in a good book, it takes a foghorn to wake you up."
"Har har, I'm not that bad. besides - "
The radio crackled to life, 'Starhawk, this is Phobos Control, you are cleared for approach. Transmitting vector and landing bay information now.'
"Roger, Control, receiving." I replied, hurriedly marking my place and putting the book aside.
We'd managed to arrange a pretty good deal on the docking fees, mainly because we are bringing in extra supplies for the Convention center. Whoever these SOS-dan people are, they didn't give Phobos much more warning about the con than they gave anyone else. This had resulted in the Center's management finding themselves short of various Con necessities like pop, microwave pizzas, coffee and so on. They weren't out of anything, but they usually had more lead time to stock up supplies before the crowds decended like a cloud of locusts.
Anyways, we'd been in Melbourne offloading cargo, when the convention center called Babylon.5 trying to find a cargoship that could get the suppies they were ordering and bring them to Mars fast. We fit the bill and promptly bounced over to grab the cargo before heading off to the red planet with a load of food and cleaning supplies (the cleaning supplies were more for _after_ the Con).
We had a few passengers too, people who had been on B.5 and sufficiently tied into the grapevine to appear at the airlock with an overnight and/or costume bag when the 'Hawk made a brief stop home. Actually, Rob, my copilot and navigator, was currently in his cabin with his wife getting into their costumes.
George was the ship's cook (and a damn good one), medic, and one of the 'gunners'. The latter job will be more impressive when we figure out how to run the power feeds without something melting or burning out. Currently the ships two quadturrets (partially a Millenium Falcon hommage) are little more than impressive looking laser pointers.
The other theoretical gunner is Susan, our cargomaster. She also pilots the APE unit we use for moving heavy cargo and EVA repairs.
The final member of the crew is JT, our engineer. He's usually in the engine room. I sometimes think he identifies a little too much with Kaylie from Firefly, I expect him to start sleeping there any day now.__________________
666-HELL The phone number of the Beast
___________________________
"I've always wanted to be somebody, but I should have been more specific." - George Carlin

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