When you're alone and life is making you lonely
You can always go - downtown
When you've got worries, all the noise and the hurry
Seems to help, I know - downtown
Just listen to the music of the traffic in the city
Linger on the sidewalk where the neon signs are pretty
How can you lose?
The lights are much brighter there
You can forget all your troubles, forget all your cares
So go downtown, things'll be great when you're
Downtown - no finer place, for sure
Downtown - everything's waiting for you
Don't hang around and let your problems surround you
There are movie shows - downtown
Maybe you know some little places to go to
Where they never close - downtown
Just listen to the rhythm of a gentle bossa nova
You'll be dancing with him too before the night is over
Happy again
The lights are much brighter there
You can forget all your troubles, forget all your cares
So go downtown, where all the lights are bright
Downtown - waiting for you tonight
Downtown - you're gonna be all right now
[instrumental break]
And you may find somebody kind to help and understand you
Someone who is just like you and needs a gentle hand to
Guide them along
So maybe I'll see you there
We can forget all our troubles, forget all our cares
So go downtown, things'll be great when you're
Downtown - don't wait a minute for
Downtown - everything's waiting for you
Downtown, downtown, downtown, downtown ...
-- Petula Clark, Downtown-- Bob
---------
Chaos isn't really chaos if it isn't Lawful part of the time.

When did Sana-chan no Omocha come out? Would an anime watcher in Japan in 1998 know about it?--
Christopher Angel, aka JPublic
The Works of Christopher Angel

My uncle used to love me but she died
A chicken ain't chicken 'til it's lickin' good fried
Keep on the sunny side
My uncle used to love me but she died
Who'll bid me quarter thirty cents for a ring o' keys?
Three sixty-five for a dollar bill of groceries?
I'll have me a car of my own someday but 'til then I need a ride
My uncle used to love me but she died
My uncle used to love me but she died
A chicken ain't chicken 'til it's lickin' good fried
Keep on the sunny side
My uncle used to love me but she died
Hamburger, cup o' coffee, lettuce and tomato
Two times a dime to see a man kiss the alligater
One more time around free on the ferris wheel ride
My uncle used to love me but she died
My uncle used to love me but she died
A chicken ain't chicken 'til it's lickin' good fried
Keep on the sunny side
My uncle used to love me but she died
Apples are for eatin' and snakes are for hissin'
I've heard about a-huggin' an' I've heard about kissin'
I read about it free in a fifty-cent illustrated guide
My uncle used to love me but she died
My uncle used to love me but she died
A chicken ain't chicken 'til it's lickin' good fried
Keep on the sunny side
My uncle used to love me but she died
Well my uncle used to love me but she died
A chicken ain't chicken 'til it's lickin' good fried
Keep on the sunny side
My uncle used to love me but she died
-- Roger Miller, My Uncle Used To Love Me But She Died
(Edit: The vagaries of cut'n'paste made it hard to determine who my uncle loved in the chorus...)-- Bob
---------
Chaos isn't really chaos if it isn't Lawful part of the time.

Beedle-dee-bah, beedle-dee-bah, beedle-dee-ree-pa-dom...
I'm a nut, I'm a nut
My life don't ever get in a rut, whoop-whoop-whoop
The head on my shoulders is sorta loose
And I ain't got sense God gave a goose
Lord, I ain't crazy, but I'm a nut
Is is wetter under water if you're there when it rains?
Is it shorter to New York than it is by plane?
Between myself and I, I wonder who's the dumber.
Is it hotter down south than it is in the summer?
Beedle-beedle-bah, beedle-bah, ba-ba-bom
I'm a nut, I'm a nut
My life don't ever get in a rut, budda-bah, budda-budda-budda-bah
The head on my shoulders is sorta loose
And I ain't got sense God gave a goose
Lord, I ain't crazy, but I'm a nut
I drove my Cadillac to Vegas to satisfy my lust.
Wheelin', dealin', left ol' Vegas on a Greyhound bus.
I shouldn't have set the woods on fire while I was there
But remember only forest fires prevent bears.
I'm a nut, I'm a nut
My life don't ever get in a rut,
The head on my shoulders is sorta loose
And I ain't got sense God gave a goose
Lord, I ain't crazy, but I'm a nut
The poverty war will be over, when I begin to fight.
If it took a dime to go 'round the world
I couldn't get out of sight.
I don't mind to take the girls out
If they don't mind to go Dutch.
Makes me feel like a million dollars
And I bet I ain't worth half that much!
I'm a nut, I'm a nut
My life don't ever get in a rut,
The head on my shoulders is sorta loose
And I ain't got sense God gave a goose
Lord, I ain't crazy, but I'm a nut
Oh, crazy man! I'm a nut!
Oh, Lordy, Lordy Lordy, Lordy
I'm crazy, I'm a nut!
-- Leroy Pullins, I'm A Nut
(Edit: fixed spelling and a couple of the non-word sound transcriptions, deleted some transcriptions I can't confirm at the moment)-- Bob
---------
Chaos isn't really chaos if it isn't Lawful part of the time.

Not sure if this was brought up before, but Tylor would make a great series to cross into.
How would Doug deal with Tylor? Would he pop a brain vein or learn to go with the Tylor flow?

I was reading an Eva fic, a sort-of crossover with Dogma, actually, and came across this line (from Metatron, talking about Shinji):
"Must come from piloting the giant purple people eater."

Has anyone else made that connection? Would Doug?-- "And with strange eons, even Death can die." - H. P. Lovecraft
"I got better!" - Shino Keiko, commenting on the above quote.

www.eclipse.net/~rms/dwbrush.html
in Sam Ashley's "A Brush With The Past", Doug runs into a phrase "We Made Holes In Teeth", and this has confused the hell out of me.. Anyone know the origin of this phrase?Wire Geek - Burning the weak and trampling the dead since 1979

The Travelling Wilburys
The Devil's Been Busy (in your backyard)
Runaway (1990)

While you're strolling down the fairway
Showing no remorse
Glowing from the poisons
They've sprayed on your golf course
While you're busy sinking birdies
And keeping your scorecard
The devil's been busy in your back yard.
Steaming down the highway
With your trucks of toxic waste
Where you gonna hide it
In the outer space?
You don't know what you're doing
Or what you have to guard
The devil's been busy in your back yard.
Sometimes you think you're crazy
But you know you're only mad
Sometimes your better off not knowing
How much you've been had.
You see your second cousin
Wasted in a fight
You say he had it coming
You couldn't do it right
You're in a western movie, playing the little part
The devil's been busy in your back yard.
Sometimes they say you're wicked
But you know that can't be bad
Sometimes you're better off not knowing
It'll only make you sad.
They're coming down Picadilly
Dripping at the dash
Wasting sticky Willy
Covering him with their cash
They just might not have noticed, they've been beating him so hard
The devil's been busy in your back yard.
The devil's been busy in your back yard.
The devil's been busy in your back yard.

- CDSometimes a gundam rom rpg snes swigs, but an arpeggio not including a rancor always
unanimously gives lectures to the in disguise barred enclosure!
SERVO: Loook *deeeeply* into my eyes... Tell me, what do you see?
CROW: (hypnotized) A twisted man who wants to inflict his pain upon others.
--
"Anko, what you do in your free time is your own choice. Use it wisely. And if you do not use it wisely, make sure you thoroughly enjoy whatever unwise thing you are doing." - HymnOfRagnorok as Orochimaru at SpaceBattles
woot Med. Eng., verb, 1st & 3rd pers. prsnt. sg. know, knows

The title has essentially all of the content, here - it just occured to me as something to say before someone imparted a large amount of kinetic energy to a baddie, while watching the intro to an episode of Pretty Cure, specifically, the Brainy One in a labcoat doing chem lab experiments and then transformed, triangle-jumping up the girders in a construction area.
Actually, Pretty Cure is perhaps the least annoying pure 'Magical Girl' show I've yet to see, with reasonably good plotting leavened with the occasional completely oddball concept - like a monster of the week that's a possessed vacuum cleaner, and a dark general who looks like David Bowie as the Goblin King but in facepaint. Okay, teah, it is a kid show, but it's a well done, well animated kid show.
Three or four different groups are fansubbing it, but I don't think any of them are past ep11. I'm not sure if it's still airing or not, but the subs are recorded from TV, judging by the presence of a clock display in the upper left corner...
Of course, there is something deeply wrong about a couple of - well, either grade schoolers or young-drawn high schoolers - who always do their chrome-plated-nude transformation sequence holding hands and have a paired final attack called 'Magnificent Screw...'
- CDSometimes a gundam rom rpg snes swigs, but an arpeggio not including a rancor always
unanimously gives lectures to the in disguise barred enclosure!
SERVO: Loook *deeeeply* into my eyes... Tell me, what do you see?
CROW: (hypnotized) A twisted man who wants to inflict his pain upon others.
--
"Anko, what you do in your free time is your own choice. Use it wisely. And if you do not use it wisely, make sure you thoroughly enjoy whatever unwise thing you are doing." - HymnOfRagnorok as Orochimaru at SpaceBattles
woot Med. Eng., verb, 1st & 3rd pers. prsnt. sg. know, knows

So anyway, the first thing that pops up in my head after reading this is:
How cool was that? Very cool, indeed. As a long-time fan of Ah My brother and Drunkard's Walk, as well as a general cross-over fan, I enjoyed reading it.
But, being me, I can't help but quibble. Quibble and poke and prod and pick those damnable nits that nobody else sees.
But first, the praise part: it was incredible just how effective the duelling perspectives were in this story, particularly in the fight scene. The way it switched from OUR HERO DOUG, first person, to OUR OTHER HERO, WHAT'S HIS FACE, UH, RIGHT, RIGHT, CHRIS, in the third person, was very effective in both maintaining tension and showing the personalities of the characters during the fight. The jarring nature of the duelling narratives worked perfectly well with the jarring nature of their fight with their constant playing with time.
Also, I am completely unable to tell when it is Herr Schroeck writing and when it is Angel-san writing. Perhaps it's due to my complete inability to notice any damn thing ever but most likely it is due to the sympatico between the two writers. This has none of the feel of a round robin but rather a true collaboration.
Now then, onto the bitching and it begins with the question: whose story is this? It says "Drunkard's Walk" on it and so far most of the action has centered upon OUR HERO DOUG and that's all to the good. But there has to be clear-cut answer to the question of who the main protagonist is, because I doubt that a story with two protagonists would work. Which isn't to say that there couldn't be sub-plots given to supporting characters, but there has to be a clear distinction made as to who the main character is and who the supporting characters are.
Fer instance, in the first (well, second) Drunkard's Walk, it was OUR HERO DOUG who was OUR HERO. Lisa had a storyline given to her, as did Katherine Madigan, and Priss (Nene to a much lesser extent, and Sylia learned a lesson somewhere in there but where the hell was Linna, anyway?). But it was OUR HERO DOUG's story. Main guy, him. His story.
Take, um, MASH the TV series. A ensemble cast, a GREAT ensemble cast. But it was Hawkeye's story, always and forever Hawkeye's story and it worked because it was his story.
So, again: whose story is this? Because if it's not made clear, then it's going to be muddled. I would enjoy it, sure, but . . . protagonist, supporting character.
Second bitching: the main conflict in this that Doug learns that not all gods are selfish and capricious through the bonding that comes from rebuilding a bike?
Hmm . . . that's . . . that's kinda not very . . . big. I mean, in the second Walk we had Doug vs. Genom pretty early on. We could see it all coming. I guess this bitch isn't very good, because we're so early on in the story but . . . you know, no clear ANTAGONIST here yet to match THE PROTAGONIST.